Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...

England’s most-adapted dead lady novelist” – was a pleasing departure from other recent takes, argued our critic upon the film’s release. From our March 1996 issue.

A young couple move to the countryside and are overcome by a magnet-like attraction that threatens to fuse their bodies together permanently in Michael Shanks’s gruesome yarn.

This week learn more about some much-needed auditing completed by our Access Team and about a special crowdsourcing event hosted at BFI Southbank.

Early action films, such as the swashbucklers of Douglas Fairbanks, introduced audiences to chase sequences, protagonists in peril and literal cliffhangers and would have a great influence on ...

From Stalker to Hard to Be a God: as a wild Czech New Wave sci-fi farce surfaces on Blu-ray, we survey the unhinged dystopias and mind-bending metaphysics of the best science fiction films from ...

All but one child from the same Pennsylvania elementary school class disappears overnight in this twisty creeper from Barbarian director Zach Cregger.

BFI Southbank has four screens open seven days a week for the widest choice of great films. Eat, shop and study in a safe, scenic riverside landmark ...

Billy Wilder’s zany cross-dressing comedy begins with a massacre – resembling the gangland St Valentine’s Day killings of 1929 – and ends with one of the most celebrated last lines in cinema history.

A camel sits among the punters in a small London cinema in these unique promotional photos from 1962 – all intended to drum up excitement for the upcoming release of David Lean’s desert epic Lawrence ...

The BFI Film Audience Network (BFI FAN) is a collaboration of 8 film hubs, managed by leading film organisations and venues around the UK.

The BFI Filmography project ran from 2012 to 2017, with these main aims: identify all film works that meet the inclusion criteria – British, feature-length, released in cinemas catalogue those works ...