LAAF’s stated aim is to spark ‘informed debate that explores, and increases, appreciation of Arab people and their rich ...

Ambivalent, ironic, alienating. There is a prolonged moment at the beginning of director Alex Ross Perry’s documentary, ...

Askance tales of a storied city, New York 1995–1996 is photographer Stephen Clarke’s record of a “brief moment” that ...

An Introduction To Psychogeography Psychogeography is more than the psychological effects of the urban environment, argues Maisie Ridgway. Here, she explains why the movement has become a political ...

Małgorzata Mirga-Tas’ work is created through the lens of minority feminism, one that tells stories of women’s resilience but within the context of their traditions. In the centre of one fabric ...

From the bottom of a number of his paintings, such as Gardens of Babylon I (2012), flames seemingly lick towards the top part of the canvas. Heat is connoted by this imagery, which in turn pictures ...

Sian Hill: As a working-class artist amongst other artists, you’re always made to feel the need to pipe down and get off your soapbox by your more privileged peers. Class seems to make many artists ...

These are the questions that URNA prompts. Exhibited through June at Somerset House for London Design Biennale 2025, and responding to the festival theme of ‘Surface Reflections’, Malta’s Pavilion ...

Look And Look Again: David Ferry Ever compared Venice to Blackpool? Stephen Clarke takes a closer look at the aesthetics of the two cities through David Ferry’s elusive and mischievous photomontage… ...

Too Good To Hide: Tony Hayes “He takes up the invitation to look, but also takes possession without payment – a visual act of shoplifting.” Curator Stephen Clarke on Too Good To Hide, a new exhibition ...

Filming alone, without a crew and seeing hardly any passers by for three days, was a much harder prospect than originally expected. He even got stuck for hours in a muddy Holloway with no way out ...