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New York Classical Review18 uair an chloig
Dudamel’s season-closing Mahler bridges Philharmonic’s past and future
Dudamel is leading the Philharmonic’s closing weeks, and the season’s final subscription program was Mahler’s Symphony No. 7, ...
New York Classical Review1 lá
Kissin and friends explore Shostakovich sonatas at Carnegie
At Carnegie Hall, the month of May is coming to a close with Shostakovich and Evgeny Kissin. The pianist is leading a series ...
New York Classical Review6 lá
Unsubtle lead a wild card in potential winning hand for Met’s “Queen of Spades”
Arsen Soghomonyan as Hermann and Sonya Yoncheva as Lisa in Tchaikovsky’s The Queen of Spades at the Meytropolitan Opera.
New York Classical Review3 lá
Corinne Winters shines in Met’s closing “Bohème” cast
Also new to the cast, Reyes lit up the stage when singing “Quando me’n vo’. The warmth of Reyes’ voice added immeasurably to ...
New York Classical Review13 lá
Stellar second cast continues the bel canto delights in Met’s “Barber of Seville”
A new tenor is in town. In her Met role debut, mezzo-soprano Aigul Akhmetshina was an equally dazzling Rosina, full of fun ...
New York Classical Review17 lá
Adams’ “Antony and Cleopatra” serves up banal bread and circuses in Met debut
Gerald Finley and Julia Bullock star in John Adams’s Antony and Cleopatra at the Metropolitan Opera. Photo: Karen Almond / ...
New York Classical Review11 lá
Boulder orchestra’s Beethoven sends Zankel audience out on a Rocky Mountain high
The transition from America’s roof to below sea level seemed not to faze the musicians at all, as music director Bahman ...
New York Classical Review6 lá
Dudamel kicks off Philharmonic weeks with bracing American music, old and new
Gustavo Dudamel won’t become the New York Philharmonic’s official music director until the start of the 2026-27 season, but ...
New York Classical Review14 lá
Heartbeat Opera wraps its slenderized “Faust” in light and shadow
A twig and a flashlight were all it took to project Marguerite’s garden onto the scenery in shadows. In a particularly striking effect, moving lights made the lovers’ silhouettes move toward each ...
New York Classical Review13 lá
Noisy and pastoral love vie in mixed Philharmonic program
The wordless singing of the New York Philharmonic Chorus, directed by Malcolm J. Merriweather, put a human presence in the scene, whether cooing over the lovers or shouting for joy in the work’s ...
New York Classical Review11 lá
Juilliard415 closes Music Before 1800 season with joyful “Corelli in Chiquitos”
Introducing Music Before 1800’s season finale Sunday afternoon at Corpus Christi Church, artistic director Bill Barclay remarked that “world music is early music.” This is clear through the range of ...